Rouges Silences
Here the codes are both amplified and distanced by an expressionist plastic that for the first time perhaps in Expressionism, takes humor into account. Some very close-ups of flowers, insects, are reminiscent of the prose of a Caillois that I did not know until this film equivalent cinema. There is a double movement in this film. At the same time, a sort of restraint of the plans and a bulimia, a frenzy to film, perhaps this is what mainly troubles us and takes us into a way of seeing that was unknown to us.
Description: Here the codes are both amplified and distanced by an expressionist plastic that for the first time perhaps in Expressionism, takes humor into account. Some very close-ups of flowers, insects, are reminiscent of the prose of a Caillois that I did not know until this film equivalent cinema. There is a double movement in this film. At the same time, a sort of restraint of the plans and a bulimia, a frenzy to film, perhaps this is what mainly troubles us and takes us into a way of seeing that was unknown to us.
Genres:
Budget: $0 | Revenue : $0
Runtime: 53 minutes
My Backyard Was A Mountain
Return
Film
Meurtre en trois actes
Especial Caetano Veloso 80 Anos
Return
Lettres du train fantôme
Robot Will Help Us...
Eran cabrones los secuestradores
Verta käsissämme
Anne Marie Arrignon
Played
Michel Conversin
Played
René Cuzon
Played
Philippe Gouret
Played
Françoise Kersebet
Played
Arielle Memeteau
Played
Isabelle Tissier
Played
Yan Le Vieux
Played
Backdrops
No artwork found
Posters
Logos
No artwork found